Pentatonic sequences pdf

The major pentatonic scales is one of the most used scales in music. From simple sequencing to the use with side stepping the major pentatonic is a rich resource for memorable melodies and special techniques.

Most people are familiar with the major pentatonic. In many cases it is one of the first scales you encounter when learning scales for improvisation. Playing major pentatonic in sequences is sometime familiar to students, but usually they have not worked with the six patterns that can be derived from this scale.

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All six patterns sound great, so make them part of your practice session and play them in all 12 keys. Depending on your level you may approach this website in different ways. If you are familiar with the major pentatonic the first recommedation is to play the scale in different sequences.

Scale Sequences: Fire Up Your Solos with 15 Mind-Blowing Patterns

For instance the major pentatonic scale patterns below are good sequences to try whenever any of pentatonic scale is appropriate:. This pattern takes the first 3 notes and sequences them ascending and descending. This is one of the most common patterns that any musician uses when playing a major pentatonic. Not only are these patterns fairly easy to play but they are part of the lexicon of patterns used to create great melodies with a major pentatonic scale.

They are also excellent tools to help you memorize the major pentatonic scale. The next patten takes the 1st, 2nd and 5th degrees of a major pentatonic and sequences them ascending and descending. Again a very common way to play a major pentatonic scale. This next pattern uses the 1st, 2nd and 6th degree of a major pentatonic.

You can create some very aurally stimulating melodies with the angular configuration. Using the 1st, 3rd and 5th degree of the major pentatonic scale is a common sequence that musicians use when playing a major pentatonic. This is a little harder on the guitar because you are constantly switching strings but it can be a very effective combination.

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Using the 1st 5th and 6th degrees of the major pentatonic scale is another more angular combination but can create some very ear catching melodies when used effectively. Another pattern that is less common is using the 1st, 3rd and 6th degrees of the major pentatonic. These can be very effective if you use three string sweeps on the guitar to work your way through the scale.

Other instruments will find this combination fairly easy to play. Using the 1st 5th and 6th degrees of the major pentatonic is another more angular combination but can create some very ear catching melodies when used effectively. You of course should learn these patterns in all keys because you never know what key a singer may need for a song.

Also later we will be doing side stepping exercises which will require you to know the major pentatonic in all keys.

pentatonic sequences pdf

This contains crucial information about pentatonic scales. All rights are reserved on all information found on this website. Just use the promo code: lex when checking out via the cart system. Skip to content.Well, sure, I wish I knew or was taught it 40 years ago when I started playing!

pentatonic sequences pdf

This is how I learned it:. I would say the BEST! Each pattern covers a chord in the notes on the fret row below and above. Further, to make the scale pattern boxesthe C shape is bounded by a D chord in that key and the C chord. The A shape is bounded by a C chord and an A chord. Yes, my brain cannot improvise and remember the major scale and all of its modes not to mention minor modes with the CAGED system. Or I do the two string octave system for quick riffs.

Often though, that comes from muscle memory after having learned and practiced the three note per string. But only in passing. Once you learn the sound of the pentanonic scales, you really need to learn the diagonal scale system by learning how the root notes create repeating patterns up the neck every two strings note the 1 fret upward shift on the B string.

Then you can go and put them together and soon find out they are the same scale with different starting points — see below. In fact, look how the major pentatonic pattern that starts on the E string above left is basically the exact same pattern if you started on the A string in the minor box above on the right. You might be wondering the difference between the the major and minor pentatonic scales.

Pattern wise there is NONE. The pentatonic diagonal scale is this one. Well it all depends on where you start the pattern.

pentatonic sequences pdf

If you look at the E minor pentatonic above, the pattern starts on the 3rd of the major scale of E. However the Major G pentatonic scale pattern is the exact same pattern in the same fret position. However, it starts on the tonic 1st note of the scale of G. So basically, as with major scales, the minor pentatonic scale is the relative 6th minor of the Major pentatonic scale.

To make it easy, I just count on my fingers.

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Finger one is the key of the major pentatonic say G and the 3rd finger is Em. That is not very useful. However if I play that pentatonic scale over an Em chord progression, then things get interesting. If I play that third fret pattern over an E major chord progression, I get bluesy that is playing an Em pentatonic over an E major scale — legal for blue progressions only. The minor pentatonic scale of a key can be found and played in the same pattern 3 frets below the major scale.

They are a beautiful thing. Guitar World summarizes the uses of pentatonics this way:. There are many more modes to come. Go to the Lessons page. There are the two basic octave patterns to learn: Then you can go and put them together and soon find out they are the same scale with different starting points — see below.

Share this: Twitter Facebook. Like this: Like Loading Post to Cancel.The pentatonic scale is the guru of improvisers. And it is not hard to discover the reason why everybody uses and abuses of this scale : It is easy to create and to use.

Some decades before, some musicians use to earn millions just playing this scale. Today is not too easy to become rich just playing the pentatonic scale; therefore any beginner musician learns how to play this scale and generally spends the rest of the life doing only this.

The concept is really simple: the major pentatonic scale is a bunch of notes from the major scale. We know that the major scale has 7 notes.

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Pentatonic scale has notes that when played generate a pleasant melody, even if it is just the execution of this scale from up and down. This makes the life of everybody easy! The pentatonic scale played backward is nice; played forward is nice; played from the middle to the end is nice, from the end to the beginning is nice, nice, nice, nice…. Very well; if you have never listened a pentatonic scale in life, take a keyboard or a piano and play the black keys one after another.

This is the sound of a pentatonic scale. There are many shapes to pentatonic scales; this example of the black keys was just one to make the observation easy because it is really practical. The pentatonic scale can be major or minor. The major pentatonic scale has the 5 notes of the major scale; the minor pentatonic scale has the 5 notes of the minor scale. A drawing of the C major pentatonic scale can be:. Compare these scales C major pentatonic and A minor pentatonic with the C major and A minor scales, respectively.

Notice that the major pentatonic took 5 notes from the major scale, as we said, and were 1, 2, 3, 5 and 6 degrees. In other words, it took out 4 and 7 degrees! And the minor pentatonic took 1, 3, 4, 5 and 7 degrees from the minor scale. In other words, it took out 2 and 6 degrees! Observation : the normal thing it would be starting and finishing with the same note in a drawing of a scale, but we prefer to finish the scale with other notes here in these designs just to you understand better the logic of this scale on guitar.

We chose to show the C major pentatonic and the A minor pentatonic because they have the same notes.The pentatonic scale is a five-note subset of the major scale that is often heard in the bass-line of rock, jazz, and blues songs. Each pattern connects to the one after it. By linking the patterns you can play the scale up and down the entire fretboard. If you play bass, you owe it to yourself to practice and learn the pentatonic-scale patterns.

Practice the pentatonic scale alone is a great way to strengthen your fret-hand, increase your agility, and improve your tone.

Learning the scale patterns will immediately improve your ability to improvise new bass-lines and transcribe songs by ear. Use the links above to download your bass-guitar pentatonic-scale poster.

Pentatonic Sequences - Lesson 1 / 12 - Groups of 2

Tapping a link will trigger a prompt to download the file or open the poster in a new browser window. Please contact us if you have questions or encounter any problems.

See below for more information about the pentatonic scales and how to use the poster. The pentatonic scale is a five-note scale that is frequently used in jazz, rock and blues music. Simply playing up or down the scale generates a pleasing melody, so the pentatonic scale is commonly used as the foundation for guitar solos, song melodies and bass-lines.

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The major pentatonic scale consists of five notes separated by the following intervals: whole, whole, minor-third, whole, minor-third. The minor pentatonic scale consists of five notes separated by the following intervals: minor-third, whole, whole, minor-third, whole. In these intervals a "whole step" hits notes with one fret in between — a jump from fret 3 to fret 5, for example — and a "minor-third interval" hits notes that are one-and-one-half whole steps apart — such as a jump from fret 3 to fret 6.

Note that a major pentatonic scale is the same as the traditional major scale with the fourth and seventh notes left out, so it reads " do re mi so la do " rather than " do re mi fa so la ti do " the fa and ti notes are skipped. The pentatonic scale is often broken down into five overlapping patterns or "positions". Each position defines a "box pattern" that contains all the notes of the scale.

Each position also connects to the following position, as illustrated in the poster. You can play the pentatonic scale by walking up and down the notes indicated in a single position. You can repeat the scale up and down the fretboard by playing the connected patterns in sequence.

Note that the pentatonic-scale patterns define more than one scale. Changing the note at which you begin the pattern changes the root note of the scale, creating a different scale for each of the twelve notes in an octave. For this reason you should be careful to learn the scale patterns — the intervals between the notes — rather than learning the scale by memorizing individual fret numbers.Here you will find scale diagrams for the five patterns of the Minor Pentatonic scale and tips on the fingerings for each - however, I repeat, You will be best learning these patterns in context over the first two Blues Lead Guitar modules Essential Blues Lead Guitar and All Over Blues Lead Guitar which is all about using all five patterns all over the neck!

With each scale I have discussed my preferences for fingering the scale. There are many approaches and so long as you have a logical one, it will be fine. I have a 'system' that works for me, and might work well for you too, but you need to experiment and find out what works best for you! I also added notes on alternative shapes and fingerings that I know are in common usage and my reasons for choosing the ones I do.

There is no right and wrong. It's important to note that the fingering is very loose with the Minor Pentatonic, much more so than with other scales. Because this scale is more an alphabet and you need to learn words licks to use it to communicate - you'll find you use the fingering that helps you express the lick best!

And bring in string bending, for which you'll very rarely if ever use Finger 4, and you'll end up changing the fingering for most of these patterns! Play it 10 times perfectly at a very slow speed and you will find you can speed it up without making mistakes and developing bad habits you will have to correct later. So start on the lowest in pitch root note, play up as far as you can, then go back down as low as you can, and then back up to the root note.

Much much better to be able to use one scale shape and play a solo than play five up and down and not be able to do make music with any them :. A root note gives the scale its name. Look at any of the scales and arpeggios and most chords on this site and you will see an R on some notes.

This is note that gives the scale its note name. For example Look at Pattern 1 below and notice that the R is on the 6th string played with the Finger 1. Whatever note you put that one becomes the name of the scale. So place Finger 1 at the 3rd fret and you will play the G Minor Pentatonic Scale because the note on the 3rd fret of the 6th string is the note G.

Place Finger 1 on the 8th fret and you will play the C Minor Pentatonic Scale because the note at the 8th fret of the 6th string is the note C. Alternatives Sometimes the notes on the first and second strings are played with the 3rd finger.

I often play it that way, particularly further up the neck where it can get a bit cramped. But the version shown is better to learn first, especially as this may be the first scale you ever learn and stretching up with Finger 3 can be tricky for beginners. Alternatives I often see people playing the thinnest two strings with the 2nd and 4th fingers. Makes sense if the idea was just to play it fast but this scale is mostly used for blues, where you will bend a lot and want good control over the notes, hard to achieve with little finger.

I'm confident that this is the best fingering by quite some way! This is sometimes thought to be quite a hard pattern to solo in Alternatives Sometimes this one is played with just 1st and 3rd fingers all the way.


That can be cool, but harder lower down the neck when the frets are further apart. Alternatives The most common alternative is play the two notes on the 2nd string with 1st and 3rd fingers.Click here to download a printable PDF of this lesson's notation.

Eric Johnson has earned the title of one of the most respected guitarists on the planet with his countless hours of dedication. His inherent perfectionism set the preconceptions of guitar technique to an all-time high with two groundbreaking albums from and — Tones and Ah Via Musicomrespectively. Both catapulted this Texan to the status of Grammy award-winning guitar god. Johnson effectively does this via vertically stacked triads that span the fretboard, also known as drop-2 chords. A drop-2 chord is created by taking any close-voiced chord where all three notes are within an octave and lowering the second-highest note by an octave.

In Fig. He did this by using drop-2 chords to play chord melodies over a synthesized G pedal. That same harmonic sense from Fig. This idea is simply to use different minor pentatonic scales too add color to a static progression.

pentatonic sequences pdf

For example, try using a minor pentatonic scale built on the 4th or 5th degree of the scale. A penchant for the unexpected has led EJ down paths toward surprising innovations, like the use of the minor hexatonic scale. The advantage of the hexatonic scale is twofold: First, it supports sequences that imply the use of the 9th and 11th. It also provides a nice passing tone between the b3 and root.

Use your middle finger to pluck the E notes and give your flatpick a rest. For the descending, sequential, sextuplet pull-off barrage in measure two, use light economy picking successive downstrokes or upstrokes to cross neighboring strings. All musical ideas are related. Those notes are F and B, by the way. Taking inventory of what you already know and building from there can be the most unexpected way of reinvigorating your musical creativity. Thinking about the guitar in new ways after the rules are learned is how we all progress.

Enjoy the journey! Having transcribed songs for online customers while playing over shows in a four-year career, Jeff Adams continues to pursue the guitar with the same zeal he had as a year-old discovering the 6-string.

Guitars Bass Amps Pedals Players. More videos from Premier Guitar. Brent Mason Concepts and Techniques. Brad Paisley: Concepts and Techniques. Concepts and Techniques: Jim Hall. Get our email newsletter! Rig Rundowns Most Recent. Rig Rundown: Brendan Benson []. Rig Rundown: Cedric Burnside. Rig Rundown: Ally Venable. Rig Rundown: Neil Zaza. Your Pedalboards ! Iso Lab: vs.It is a source for inspiration and creativity by providing the modern bassist with an enormous collection of familiar and unfamiliar pentatonic note sequences to choose from, experiment with and eventually become one with.

Toggle navigation. User Login Sign Up. Welcome, Guest Login. Byron Santo's Pentatonic Note Sequence Grimoirium is the most comprehensive collection of Pentatonic Note Sequences ever assembled for the modern bassist. The Grimoirium contains over pentatonic note sequences based off of the major pentatonic scale and its four associated modes. The purpose of this book is to expose the modern bassist to a comprehensive, organized collection of pentatonic note sequences that can be used as an inspirational source for new licks, solos and compositions.

Bassists of any skill level may benefit from Grimoirium, though knowledge of theory will provide the most from its usage. There are no shipping charges when purchasing this item. Access to the product will be available for download immediately once your order is completed. Select any shipping method while ordering it is a required featurebut note that the cost of shipping will not be applied to the cost of your order.

There are no sales tax charges when purchasing this item. This title IS eligible for our volume discount program. If this item is purchased along with other titles, the discount program will be applied automatically to all products in your order. This title is in Adobe Acrobat format and requires you have a newer version of Adobe Acrobat Reader installed on your computer.

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If you need to download a copy it's freeclick on the image to the right. View All Reviews. Musicians are not good social distancers. Performers, teachers, students, garage-jam players, fans of live music -- getting together is part of what we do. But not right now. To blunt the spread of the coronavirus and protect our loved ones and communities, we have to spend a lot more time at home.

It will feel strange, but it does not need to be unproductive. Pick up your instrument. Sit down and cradle it. Noodle out a riff. Learn a new song. Explore some new techniques.

Study the style of a favorite player. This will not last forever.

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